A geopolítica dos mundos da arte ocidental: reflexão e metodologia

Autores

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2021.186622

Palavras-chave:

Arte do pós-guerra, Triunfo da arte norte-americana, Histórias da arte, Historiografia, Geopolítica

Resumo

Em uma reflexão sobre as origens e a metodologia do seu livro The Rise and Fall of American Art, 19840s-1980s: A Geopolitics of the Western Art Worlds (2015), Catherine Dossin reposiciona seu trabalho em um contexto de crescente atenção às múltiplas histórias da arte, no qual se faz necessário confrontar tal desafio metodológico. A autora então discute a geopolítica como um modelo útil para se pensar a complexa historiografia da arte do pós-guerra, abordar a polifonia de discursos desse período e analisar as dinâmicas de poder e os mecanismos históricos que garantem a alguns de seus capítulos o estatuto de história.

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Biografia do Autor

  • Catherine Dossin, Purdue University

    Catherine Dossin is Associate Professor of Art History at Purdue University, US and serves as Editor of the Artl@s Bulletin. She is the author of The Rise and Fall of American Art, 1940s-1980s: A Geopolitics of Western Art Worlds (Routledge, 2015), the co-editor with Thomas DaCosta Kaufmann and Béatrice Joyeux-Prunel of Circulations in the Global History of Art (Routledge, 2015), and the editor of France and the Visual Arts since 1945: Remapping European Postwar and Contemporary Art (Bloomsbury, 2018).

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Publicado

2021-11-29

Como Citar

Dossin, C. . (2021). A geopolítica dos mundos da arte ocidental: reflexão e metodologia. ARS (São Paulo), 19(42), 109-139. https://doi.org/10.11606/issn.2178-0447.ars.2021.186622