Paisagens urbanas, passagens midiáticas: identidades e alteridades contemporâneas
DOI:
https://doi.org/10.11606/issn.1808-0820.cali.2006.56765Keywords:
identities, otherness, urban cultures, brazilian cinemaAbstract
The present article aims to discuss some aspects related to the boarders of the media production - its frontiers and gateways - in order to present its inclusion/exclusion territories, its highlights and underlines concerning the contemporary urban culture. The analysis of some recent Brazilian movies (Central do Brasil, Cidade de Deus and O homem que copiava) will be used to pinpoint the movements of contemporary subjects throughout the urbanlandscapes without aiming to affirm their identities or differences. These individuals do not aim to change their social condition neither in a light or in a collective way and this lack of movement defines their condition with themselves and with one another.
Downloads
Download data is not yet available.
Downloads
Published
2006-08-27
Issue
Section
Artigos
How to Cite
Paisagens urbanas, passagens midiáticas: identidades e alteridades contemporâneas. (2006). Caligrama (São Paulo. Online), 2(2). https://doi.org/10.11606/issn.1808-0820.cali.2006.56765