Identity and otherness in Gabriel e a montanha and Vagabond

Authors

  • Maria Ignês Carlos Magno Universidade Anhembi Morumbi
  • André Gustavo de Paula Eduardo Universidade Anhembi Morumbi

DOI:

https://doi.org/10.11606/issn.2316-9125.v24i1p117-126

Keywords:

Brazilian cinema, Gabriel and the mountain, identity, otherness, Vagabond

Abstract

This review aims to comment on the movies Gabriel e a montanha, directed by Fellipe Barbosa, and Vagabond, directed by Agnès Varda, and promote a reflection about the concepts of identity and otherness by comparing the movies – which contain similar narrative aspects, since the main characters of both movies are travelers; however, the path and the journey convey quite distinct significances, which are of interest for this review.

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Author Biographies

  • Maria Ignês Carlos Magno, Universidade Anhembi Morumbi

    PhD in Communication Sciences from the School of Communication and Arts of the University of São Paulo (ECA-USP) and Professor of the Graduate Program in Communication of the Anhembi Morumbi University.

  • André Gustavo de Paula Eduardo, Universidade Anhembi Morumbi

    Doctoral student in Communication of the Anhembi Morumbi University and Master’s degree in Communication from the São Paulo State University (Unesp).

References

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PORTELLA, Jean Cristtus. Semiótica do Haikai. In: FERREIRA, Fernando Aparecido; MOMESSO, Maria Regina; SCHWARTZMANN, Matheus Nogueira; ABRIATA, Vera Lucia Rodella (org.). Discurso e linguagens: objetos de análise e perspectivas teóricas. Franca: Editora Unifran, 2011. p. 165-192.

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Published

2019-05-31

Issue

Vol. 24 No. 1 (2019): Expressões Educomunicativas: arte, rádio, fanzine e publicidade

Section

Reviews

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How to Cite

Magno, M. I. C., & Eduardo, A. G. de P. (2019). Identity and otherness in Gabriel e a montanha and Vagabond. Comunicação & Educação, 24(1), 117-126. https://doi.org/10.11606/issn.2316-9125.v24i1p117-126