Nostalgia, fuga e efemeridade em Hôjôki

Fernando Carlos Chamas

doi:10.11606/ej.v0i32.143098

Nostalgia, fuga e efemeridade em Hôjôki

Authors

Fernando Carlos Chamas Universidade de São Paulo

DOI:

https://doi.org/10.11606/ej.v0i32.143098

Keywords:

kamo no chômei, hôjôki, mujô, religion and art, spiritual escape,

Abstract

Kamo no Chômei5s altitude of living in “artiste retreat” and his work Hôjôki, 1212, reflect not only his individual past，but also the end of Heian period (794-1185) and the decline of aristocracy，as well as his interprétation of Buddhism through émotions such as nostalgia, escape and ephemerality mujô.

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Author Biography

Fernando Carlos Chamas, Universidade de São Paulo

Mestre em Língua, Literatura e Cultura Japonesa com enfoque em Cultura Budista pela Universidade de São Paulo (USP).