The Candomble ritual's reflecting in the concert room: talking with the text "Musicking"from Christopher Small

Abstract

The text wants to observe the common points between the Candomblé Ritual’s and the Concert Room. Discussing their similarities, canons, and differences, trough the vision of Christopher Small (1987), whose observes the Concert Room as part of a ritual that includes the musicking, bringing besides the execution act, an important cast of persons, around this moment, including from the maestro to the person who sells the ticket. In another hand, the point of view from Jorge Vasconcelos (2010), Sacramento de Almeida (2009) and Vitor da Trindade (2019), Candomblé researchers, supporting the autor, whose are deeply inside on the Orixa’s world, as in the music.