The construction/invention of samba: mediations and strategic interactions

Autores/as

  • Miguel Jost Pontifícia Universidade Católica do Rio de Janeiro

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i62p112-125

Palabras clave:

Samba, popular music, song.

Resumen

The aim of the present article is to debate aspects of the actuation of the first samba artists within the context in which they were inserted in the cultural production of the period, based on a bibliography about the formation of samba and its consolidation as the Brazilian urban song of the beginning of the century. The text attempts to highlight the strategic character of this actuation and to deconstruct certain notions that give the formation of samba a romanticized interpretation that does not pay enough attention to the capacity of intervention and organization of these samba artists within the cultural scene of their time.

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Biografía del autor/a

  • Miguel Jost, Pontifícia Universidade Católica do Rio de Janeiro
    Professor do Departamento de Letras da PUC-Rio, é mestre e doutor em Estudos de Literatura por esta mesma instituição.

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Publicado

2015-11-13

Número

Núm. 62 (2015)

Sección

Artigos

Licencia

 

  • Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição BY-NC.

Cómo citar

Jost, M. (2015). The construction/invention of samba: mediations and strategic interactions. Revista Do Instituto De Estudos Brasileiros, 62, 112-125. https://doi.org/10.11606/issn.2316-901X.v0i62p112-125