Itineraries of a musical world

Brazilian chamber music and the concert society Sonata (Portugal)

Authors

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i73p27-46

Keywords:

Sociedades de concerto, Fernando Lopes-Graça, música de câmara brasileira

Abstract

Developed during a period of lack of classical musical activity in Portugal, the concert societies were an important instrument of audience formation, socializing and diffusion of a vast repertoire, involving agents of various origins, backgrounds, interests and ideologies. In this paper, we focus the Portuguese concert society Sonata, founded in 1942 by Fernando Lopes-Graça and friends and active until 1960, which promoted the national and international première of many works, including Brazilian solo and chamber music. Parting from the contextualization and analysis of this production, we aim to broach the sociability network implied in its circulation, regarding Sonata as a space of articulation between different musical experiences.

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Published

2019-09-04

Issue

n. 73 (2019)

Section

Musicking as a path for ethnomusicology

License

 

  • Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição BY-NC.

How to Cite

Lopes, G. (2019). Itineraries of a musical world: Brazilian chamber music and the concert society Sonata (Portugal). Revista Do Instituto De Estudos Brasileiros, 73, 27-46. https://doi.org/10.11606/issn.2316-901X.v0i73p27-46