Popular cultures and new performance contexts in contemporary Brazil the case of Folklore Festival of Olímpia

the case of Folklore Festival of Olímpia

Authors

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i73p100-122

Keywords:

Ethnomusicology, communities of practice, folklore festivals, new performance contexts

Abstract

This paper reflects on the role of folklore festivals in the contemporary world. Based on ethnographic research carried out in the context of the Folklore Festival of Olímpia – FEFOL – (São Paulo/Brazil) and with Pastoril Dona Joaquina de São Gonçalo do Amarante (Rio Grande do Norte/Brazil), folklore festivals will be understood as new contexts of performance for the practices of the performative groups of Brazilian popular cultures. The reflection is based on Wenger (2012) and Turino (2008).

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Published

2019-09-04

Issue

n. 73 (2019)

Section

Musicking as a path for ethnomusicology

License

 

  • Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição BY-NC.

How to Cite

Reis, E. A. dos. (2019). Popular cultures and new performance contexts in contemporary Brazil the case of Folklore Festival of Olímpia: the case of Folklore Festival of Olímpia. Revista Do Instituto De Estudos Brasileiros, 73, 100-122. https://doi.org/10.11606/issn.2316-901X.v0i73p100-122