Rollings and subjectivations: Ó isso aí

Abstract

Through certain detachment of representation and certain abandonment of individuality of the performers, Ó is a performance that operates desubjectivation accessing invisible body sensations. Through repetition, it presents the duration in its concreteness. The signs are not the focus of that work. Free from coercion of the language, it turns to the forces that reverberate in the public. Before giving meaning to what we see, we already feel so much. Driven to the effects of resonance, we witness the change itself in the flow of its unrolling. Small differences operate our perception of the play and of ourselves. The work reverberates in the subjective sphere: when we come back, we recognize ourselves different. The return of the subject is not the same but shifted and artistically increased.