THE RITUAL OF THE OCCULT MEDICATIONS: processes and writings for the play Pulsão
DOI:
https://doi.org/10.11606/issn.2238-3867.v14i1p177-183Keywords:
Playwright, Performance, TheatreAbstract
This article is generated from my experience in the play as a performer, actor and, above all, as a playwright. Having this knowledge as a starting point, I present a dramaturgical analysis which partially shows the structure of the research and the concept in the development of the performative actions established in the play. Therefore, we describe the process of nurturing in which the performance Pulsão (PULSE) was born and raised, the key points for its playwriting, important aspects of the investigation and, to sum it all, a display of my impressions as an artist.
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