Rock, apathy and violence
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2016.103444Keywords:
Rodrigo D, ¿Cómo ves?, marginalized youth, free indirect subjectiveAbstract
Rodrigo D. No futuro and ¿Cómo ves? will be analyzed in this paper. These films address a recurring theme in the cinema of Latin America: the marginalized youth. In the 1980s and the 1990s, with the advance of neoliberalism and the crisis of left-wing projects, the subject gained new forms of representation. Critics pointed out that these films seem to be situated far from the modern cinema aesthetics. In our analysis, we will establish a dialogue with such critics. These works take music as a link with the young audience and try to approach the inner life of its characters through the use of "free indirect subjective".Downloads
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