By the face, we read the man: physiognomy in film

Authors

  • Pedro Maciel Guimarães Universidade Estadual de Campinas. Instituto de Artes

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2016.121048

Keywords:

film aesthetics, body in film, acting studies.

Abstract

Aims the study of physiognomy, the study of human physiognomy as knowledge index on the abstract and subjective features from the aspects of the head and face. Assuming that the physiognomy governs the natural sciences and also the culture and the means of representation, aims to investigate the expression of the human face in film study as a significant element and creation of meaning. Physiognomonic study sheds will be addressed as the analogy between the man's face and the face of the animal, the visual appearance of the face as an aesthetic and narrative element, the importance of the relationship inside-outside in the construction of action and ethnic physiognomy

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References

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Referências audiovisuais

ANGEL Eyes (Olhar de Anjo). Luis Mandoki, Estados Unidos, 2001.

ARSENIC and Old Lace (Esse mundo é um hospício). Frank Capra, Estados Unidos, 1944.

BOUDU sauvé des eaux (Boudu, salvo das águas). Jean Renoir, França, 1932.

FLYING Down to Rio (Voando para o Rio). Thornton Freeland, Estados Unidos, 1933.

Femmes (8 Mulheres). François Ozon, França, 2002.

L’ATALANTE (O Atalante). Jean Vigo, França, 1934.

PIERROT le Fou (O demônio das onze horas). Jean-Luc Godard, França, 1965.

STACHKA (A Greve). Serguei M. Eisenstein, URSS, 1925.

TAZA, Son of Cochise (Herança Sagrada). Douglas Sirk, Estados Unidos, 1954.

THE Kiss of the Spider Woman (O Beijo da Mulher Aranha). Hector Babenco, Estados Unidos-Brasil, 1985.

THE Teahouse of the August Moon (A Casa de Chá do Luar de Agosto). Daniel Mann, Estados Unidos, 1956.

The Women (As Mulheres). George Cukor, Estados Unidos, 1939.

VIVA Zapata. Elia Kazan, Estados Unidos, 1952.

WEST Side Story (Amor Sublime Amor). Robert Wise e Jerome Robbins, Estados Unidos, 1961.

Published

2016-12-21

Issue

Section

Articles

How to Cite

By the face, we read the man: physiognomy in film. (2016). Significação: Journal of Audiovisual Culture, 43(46), 85-105. https://doi.org/10.11606/issn.2316-7114.sig.2016.121048