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Vol. 17 No. 37 (2019)
Vol. 17 No. 37 (2019)
Published:
2019-12-30
Full Issue
PDF (Portuguese)
Visual essays
Barcelona, 2019
Lucas Eskinazi
11-28
PDF (Portuguese)
Articles
The Curator-as-function
Discourse, Montage, Composition
Luiz Camillo Osorio
29-44
PDF (Portuguese)
Aesthetic-Dialogical Experiences in Art-Activism
Irene de Araujo Machado
45-74
PDF (Portuguese)
Everything and nothing
notes on the work of Antonio Dias from 1968 to 1971
Lara C. Casares Rivetti
75-103
PDF (Portuguese)
Between Heaven and Earth
the (Neo)concrete Sculptures of Franz Weissmann from the 1950s
Renato Rodrigues da Silva
105-142
PDF (Portuguese)
Jesús Soto at the 1967 Venezuelan Pavilion
the “Suspended Volume”
Moisés Orlando Chávez Herrera
143-161
PDF (Spanish)
Musical iconography in Henri Rousseau’s work
Andrei Fernando Ferreira Lima
163-181
PDF (Portuguese)
Notes on the Transparencies of Film in Theodor Adorno
Alessandra Bergamaschi
183-196
PDF (Portuguese)
“Key-hole art”: Samuel Beckett and the Television Play
Luciano Gatti
197-225
PDF (Portuguese)
Seduced by the past
critic as a source for the dance history
Rafael Guarato
227-243
PDF (Portuguese)
Dialogues with Graduation
My Bed and To Meet My Past
the bed as revelation of intimacy and narrative (re)constructions for Tracey Emin
Ana Luísa Nunes
245-259
PDF (Portuguese)
Museum Culture in Brazil
The Genesis of its Artistic Institutions
Clara Downey
261-276
PDF (Portuguese)
Manifestations of Liberty
The Golden Law in Rio Grande, RS
Letícia Conceição de Souza
277-289
PDF (Portuguese)
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