Composing the gender

trajectories of singer-composer women in the city of Rio de Janeiro

Authors

  • Luísa Damaceno de Lacerda Universidade Federal do Estado do Rio de Janeiro (Unirio)

DOI:

https://doi.org/10.11606/issn.2238-3999.v8i1p176-188

Abstract

This article reports, based on interviews and participant observation, the trajectories of singer-composer women of songs on the current city of Rio de Janeiro with the objective of analyzing how the gender-based dynamics interfere on the life of these artists. Here we discuss how the increasing creation of collective movements and musical events headed by women can transform the inequalities of the area’s current professional scenario. The appreciation of the life story and individual narratives becomes an important source of knowledge for the musicology area, highlighting lesser acknowledged trajectories in music history.

Keywords: Song, individual memory, Musicology research, Gender relations.

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Author Biography

  • Luísa Damaceno de Lacerda, Universidade Federal do Estado do Rio de Janeiro (Unirio)

    Mestre em música pela Universidade Federal do Estado do Rio de Janeiro (UNIRIO), é formada no curso de bacharelado em violão clássico, da Escola de Música da Universidade Federal do Rio de Janeiro (UFRJ).

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Published

2018-06-30

Issue

Vol. 8 No. 1 (2018): GÊNERO E SEXUALIDADE EM FOCO: IDENTIDADE, DIFERENÇA E CLASSE

Section

Artigos (Articles)

License

Copyright (c) 2018 Revista Aspas

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How to Cite

Composing the gender: trajectories of singer-composer women in the city of Rio de Janeiro. (2018). Revista Aspas, 8(1), 176-188. https://doi.org/10.11606/issn.2238-3999.v8i1p176-188