The possibilities of motion: dynamics of storytelling in Mariana Docampo’s narrative
DOI:
https://doi.org/10.11606/issn.2317-9651.i25p205-234Keywords:
Mariana Docampo, Queer Theory, Feminisms, Argentine Literature, TangoAbstract
In Tango Queer, an essay published in 2018, Mariana Docampo explains vividly her attachment to tango, a dance she learned during many years before she began to teach, and she promote a transcendent change in the way tango is danced: she is one of the founders of a Milonga Queer. In this book Docampo tells the story of how she queerized tango. She includes, also, a “manifesto” to explain the fundaments of this change, a text that can be also useful for feminist epistemologies. Starting point is the idea of tango as a “gender performance” itself. There she sees the possibility for a change of orientation, by subverting one of the pivotal knots of tango: the binary understanding of gender roles. Motion constitutes a keynote in all her novels written between 2007 and 2021, and in her earlier texts as well. There is in all of them a queer perspective, working against a centered and univocal idea of subjectivity. This approach to Docampo’s work will consider the theorization of Teresa de Lauretis and Sara Ahmed.
Downloads
References
Ahmed, Sara. Fenomenología Queer: Orientaciones, objetos, otros. Traducción de Javier Sáenz del Álamo. Barcelona: Ediciones Bellaterra, 2019 [2006].
Butler, Judith. Cuerpos que importan. Sobre los límites materiales y discursivos del “sexo”. Traducción de Alcira Bixio. Buenos Aires: Paidós, 2008 [1993].
De Lauretis, Teresa. Technologies of Gender. Essays on Theory, Film, and Fiction, Bloomington and Indianapolis: Indiana University Press, 1987.
Docampo, Mariana. Al borde del tapiz. Buenos Aires: Simurg, 2001.
Docampo, Mariana. El molino. Buenos Aires: Bajo la luna, 2007.
Docampo, Mariana. La fe. Buenos Aires: Bajo la luna, 2011.
Docampo, Mariana. “Las Antiguas en el Presente”. En: Gramma, XXIV, 51, 2013, 159-165.
Docampo, Mariana. Tratado del movimiento. Buenos Aires: Bajo la luna, 2014.
Docampo, Mariana. V. Buenos Aires: Bajo la luna, 2017.
Docampo, Mariana. Tango Queer. Buenos Aires: Madreselva, 2018.
Docampo, Mariana. Estrella negra. Buenos Aires: Leteo, 2021.
Foucault, Michel. Tecnologías del yo. Traducción de Mercedes Allende. Buenos Aires: Paidós, 2008.
Freeman, Elizabeth. Time Binds. Queer Temporalities, Queer Histories. Durham and London: Duke University Press, 2010.
Guerra, Vane. “Nube Loca mata al Buda –formas de vencer la fuerza de gravedad del nombre–”. En: Arnés, Laura A., Lucía de Leone y María José Punte (coords.). Historia feminista de la literatura argentina. En la intemperie: poéticas de la fragilidad y la revuelta. Villa María: EDUVIM, 2020, 99-103.
Punte, María José. “Cartografías para la fuga: derivas subjetivas en la escritura de Mariana Docampo”. En: Ostrov, Andrea (coord.). Espacios del género. Literatura y artes visuales en América Latina. Córdoba: Alción Editora, 2021, 273-290.
Punte, María José. “Una narración de las fisuras: lo queer de la infancia en la novela V, de Mariana Docampo”. En: Descentradas. Revista interdisciplinaria de feminismos y género. Facultad de Humanidades y Ciencias de la Educación (UNLP), 2020, 4 (2), septiembre. Disponible en: https://www.descentrada.fahce.unlp.edu.ar/issue/view/535. Acceso: 5 ago. 2022.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 María José Punte
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License, which permits the dissemination of the work with recognition of authorship and initial publication in this journal.
- Authors are allowed to enter into additional contracts separately for non-exclusive use of the version of the work published in this journal (such as publication in an institutional repository or as a book chapter), with recognition of authorship and initial publication in this journal.
- Authors are allowed and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increasing the impact and citation of the published work (see The effect of open access…).