No. 22 (2021): (July-Dec 2021) Dossier: 21st century Spanish theater

Published: 2021-11-01

Full Issue

• PDF (Spanish)

Presentation

• Caracol 22 Presentation

  Mabel Brizuela, Germán Brignone

  16-24

  • PDF (Spanish)
  • XML (Spanish)

Dossier

• Current dramaturgy in Spanish (A research project)

  José-Luis García Barrientos

  26-46

  • PDF (Spanish)
  • XML (Spanish)

• Dramaturgy of adaptation, epic theater and anthropomorphization of animals in ‘Juan Darién’ (2015) by Mauricio Kartun

  Jorge Dubatti

  48-72

  • PDF (Spanish)
  • XML (Spanish)

• Ana Harcha Cortés. Poetic-dramaturgical project: practices, procedures and effects

  Soledad Sonia González

  74-98

  • PDF (Spanish)
  • XML (Spanish)

• A theatre to save the world

  Claire Spooner

  100-134

  • PDF (Spanish)
  • XML (Spanish)

• Photos of Himmelweg and El cartógrafo

  Mabel Brizuela, Germán Brignone

  136-140

  • PDF (Spanish)
  • XML (Spanish)

• Humor in Juan Mayorga’s short theater

  Mónica Molanes Rial

  142-158

  • PDF (Spanish)
  • XML (Spanish)

• Razón del teatro: Admission speech by Juan Mayorga to the Spanish Royal Academy of Doctors

  Juan Mayorga

  160-185

  • PDF (Spanish)
  • XML (Spanish)

• About La intérprete

  Germán Brignone

  186-188

  • PDF (Spanish)
  • XML (Spanish)

• La intérprete by Juan Mayorga

  Juan Mayorga

  190-216

  • PDF (Spanish)
  • XML (Spanish)

Varia

• Universal Transit Writing: Copi’s drama trans

  Ivan Delmanto

  220-252

  • PDF (Portuguese)
  • XML (Portuguese)

• Videostaging resources in the intermedial dramaturgy. Analysis of The Mountain, by Agrupación Señor Serrano

  José Manuel Teira Alcaraz

  254-285

  • PDF (Spanish)
  • XML (Spanish)

• Translation as perversion in the creation-recreation of the play En Marge! – Al Margen!

  Paola Carrión González, Jesús Belotto

  286-307

  • PDF (Spanish)
  • XML (Spanish)

• Dramaturgies of the armed conflict in Colombia

  Darío Gómez Sánchez

  308-332

  • PDF (Spanish)
  • XML (Spanish)

• Music in Ecstasy in Carles Santos’ Theater

  Jolanta Rekawek

  334-364

  • PDF (Spanish)
  • XML (Spanish)

• Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega

  Wagner Monteiro

  366-387

  • PDF (Portuguese)
  • XML (Portuguese)

• Alan Pauls: Reader’s life

  Victor Emiliano Rodríguez Montiel

  388-406

  • PDF (Spanish)
  • XML (Spanish)

• The forms of the new: digital literary magazines in Cuba and the case of 33 and 1/3

  Laura Maccioni

  408-436

  • PDF (Spanish)
  • XML (Spanish)

• Discussion on the place of culture in language teaching: on the nondichotomy between language and culture

  Jorge Rodrigues de Souza Junior

  438-463

  • PDF (Spanish)
  • XML (Spanish)

Book Reviews

• A poetic of the silence. Admission speech by Juan Mayorga to the Royal Academy of the Spanish Language

  Itziar Pascual Ortiz

  466-472

  • PDF (Spanish)
  • XML (Spanish)

• Como se faz um deserto? Resenha de: Uriarte, Javier. The Desertmakers: Travel, War, and the State in Latin America. New York: Routledge, 2020, 323 p.

  Byron Vélez Escallón

  474-482

  • PDF (Portuguese)
  • XML (Portuguese)