Not eager for definition: punctum and haiku
DOI:
https://doi.org/10.11606/issn.1984-1124.v0ispep96-101Keywords:
Roland Barthes, Semiotics of Photography, Haiku, Punctum, Neutral.Abstract
This article is devoted to a reflection on the possible intersections between photography and haiku found in the work of Roland Barthes, covering the works, which are susceptible to illustrating them, namely: Empire of Signs (1970), The Neutral (1977-1978), The Preparationof the Novel (1978-1979) and Camera Lucida (1980). We focus on the possible entanglement of the concepts of "punctum" and “neutral” respectively referring to the photographic image and the writing and equally supposed to escape the paradigm of meaning.
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