Roland Barthes and the family album

Authors

  • Priscila Pesce Lopes Oliveira Universidade de São Paulo

DOI:

https://doi.org/10.11606/issn.1984-1124.v0ispep102-110

Keywords:

Roland Barthes, Roland Barthes by Roland Barthes, Camera Lucida, photography, subtitles.

Abstract

This communication examines photographs at the beginning of the book Roland Barthes by Roland Barthes, which work as a family album of sorts, and the photo of the Mother absent from Camera Lucida, and which is declaredly the book’s source. It scrutinises the conections between image and text in the Roland Barthes by Roland Barthes photo album: the subtitles that reveal, conceal, flatten, nudge the photographs into narrative; adherence, refusal and subversion of autobiographical topoi by the album; proposition of different imagetic modes that operate in that book as well as in Camera Lucida

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Author Biography

  • Priscila Pesce Lopes Oliveira, Universidade de São Paulo
    Mestre pela Universidade de São Paulo (USP).

References

BARTHES, R. Roland Barthes por Roland Barthes. Trad. Leyla Perrone-Moisés. São Paulo: Cultrix, 1977.

BARTHES, R. A Câmara Clara: nota sobre a fotografia. 2. ed. Trad. Júlio Castañon Guimarães. Rio de Janeiro: Nova Fronteira, 1984.

BARTHES, R. O Prazer do Texto. Trad. J. Guinsburg. São Paulo: Perspectiva, 2006.

PINO, C. C. A. Em busca de uma vida nova: o projeto de romance de Roland Barthes. 2013. 214 p. Tese (Livre-Docência). – Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, São Paulo, 2013.

Published

2015-12-30

How to Cite

Oliveira, P. P. L. (2015). Roland Barthes and the family album. Revista Criação & Crítica, spe, 102-110. https://doi.org/10.11606/issn.1984-1124.v0ispep102-110