Aqui tem coisa: Georges Perec e a Arte Contemporânea

Authors

  • Manlio Speranzini Universidade de São Paulo; Faculdade de Filosofia, Letras e Ciências Humanas; Departamento de Letras Modernas

DOI:

https://doi.org/10.11606/issn.1984-1124.v2i3p144-159

Keywords:

Perec, things, contemporary art, Firman, Les choses.

Abstract

The text explores the relation between the work of the French writer Georges Perec (1936 – 1982) and the Contemporary Art by the means of his book Les Choses – une histoire des années soixante and the work Gathering of Daniel Firman (1966), recently showed in the exhibition “regarde de tous tes yeux, regarde”, l’art contemporain de Georges Perec. The aim here is to understand the territory of mutual atractions of these works by means of a certain ‘photographic value’ that is able ‘to make visible something that doesn’t necessarily belongs to the order of the visible’; by the focus on the unimportant in the relation with everyday life; and a type of expressive construction that would explore the emptiness and the senseless in the relations of the individual with the things of the world.
 

Downloads

Download data is not yet available.

Downloads

Published

2009-10-15

Issue

No. 3 (2009)

Section

Articles

License

Authors who publish with this journal agree to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
  2. Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).

How to Cite

Speranzini, M. (2009). Aqui tem coisa: Georges Perec e a Arte Contemporânea. Revista Criação & Crítica, 3, 144-159. https://doi.org/10.11606/issn.1984-1124.v2i3p144-159