Máscaras mortuárias em Hilda Hilst
DOI:
https://doi.org/10.11606/issn.1984-1124.v3i5p1-18Keywords:
Mask, death, Hilda HilstAbstract
This work analyses the representation of death under the sign of the “mask” in Hilda Hilst’s poetics. Among the selected topics that are taken into consideration we focus on the discursive and poetic metaphors seen in Da morte. Odes mínimas (1980), and also the spacial transposition seen in the writer`s house and grave. Another objective of this article is to consider how the author elaborates her own death and also the death of her work in interviews given to the press. The theoretical approaches used are Biografema, by Roland Barthes and Mortes imaginárias, by Michel SchneiderDownloads
Download data is not yet available.
Downloads
Published
2010-10-15
Issue
Section
Articles
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
Oliveira, R. S. de. (2010). Máscaras mortuárias em Hilda Hilst. Revista Criação & Crítica, 5, 1-18. https://doi.org/10.11606/issn.1984-1124.v3i5p1-18
