Mirror of memory: Sylvia Caiuby Novaes through photography
DOI:
https://doi.org/10.11606/issn.2525-3123.gis.2022.195267Keywords:
Visual Anthropology, Photography, Montage, Trajectory, Sylvia Caiuby NovaesAbstract
To enter Sylvia Caiuby Novaes’s universe, we are invited to come aboard on a real journey. For someone who has photography as a central part of her personal and affective trajectory, there could not be a better way to enter it. This visual essay, builtwith many hands is a composition of photographs from this trajectory, about which we indicate its itinerary. This montages result from long conversations, and research on Sylvia's archives and memories; they take us to meet people and places that this anthropologist has loved, and where she has built homes. In a play of mirrors, Sylvia revisits different moments of her trajectory, sewn in a weft where lived and remembered events reveal to us something typical of everything that is constantly being created.
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References
Benjamin, Walter. 1996. Magia e técnica, arte e política – Obras escolhidas 1. São Paulo: Ed. Brasiliense.
Caiuby Novaes, Sylvia. 2005. Usos da imagem na antropologia. In: SAMAIN, Étienne. O fotográfico. São Paulo: HUCITEC. p. 113-119.
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Copyright (c) 2022 Jeferson Carvalho da Silva, Kelly Koide, Laila Zilber Kontic, Luis Felipe Kojima Hirano, Maria Luiza Mahara
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Fundação de Amparo à Pesquisa do Estado de São Paulo
Grant numbers 2018/25159-6