Nella narrativa brasiliana attuale, protagonista la città.
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https://doi.org/10.11606/issn.2238-8281.v0i34p23-30Keywords:
City, Protagonist, History, Fiction, Myth, ChangesAbstract
The aim of this article is to observe the presence and the role of the city not only as an urban space opposed to the rural one, but of a city that takes on a privileged position, as a protagonist or, at least, as a co-star, in novels produced between the end of last century and our days in the brasilian literary landscape. History, fiction, myth, memory are aspects already present in the city described during the Modernism by authors as Carlos Drummond de Andrade, Manuel Bandeira and Vinicius de Moraes, but also, in different moments, by Lima Barreto, João do Rio, Rubem Fonseca, witnesses of the changes of Rio de Janeiro. On the other hand Mário de Andrade, with his work Paulicéia Desvairada, reveals the changes of São Paulo due also to the great immigration.Nevertheless the principal purpose of this text is about the importance given to the cities of Manaus and Brasília respectively in Milton Hatoum’s and João Almino’s novels. These authors do not include themselves in the line of research of Regionalism, typical of the brasilian tradition, but they make the human presences to act in an urban context that seems itself personified.
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CALVINO, I. Sono nato in America... Interviste 1951-1985, a cura di Luca Baranelli. Introduzione di Mario Barenghi. Milano: Mondadori, 2002.
CALVINO, I. Le città invisibili. Torino: Einaudi, 1972.
PRETE, A. “Antropologia del doppio”. http://www.zibaldoni.it/2006/11/07/doppio/. Acesso 06/05/2016.
HATOUM, M. Dois irmãos. Trad. A. Di Munno. São Paulo: Companhia das Letras, 2000.
HATOUM, M. Cinzas do Norte. Trad. A. Di Munno. São Paulo: Companhia das Letras, 2005.
ALMINO, J. As Cinco Estações do Amor. Trad. A. Di Munno. Rio de Janeiro – São Paulo: Editora Record, 2001.
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