Dialogue of Knowledge in the Editorial Philological Praxis

Authors

  • Rosa Borges Universidade Federal da Bahia

DOI:

https://doi.org/10.11606/issn.2236-4242.v31i2p7-27

Keywords:

Philology, : Philology, Genetic Criticism;, Sociology of Texts;, Editorial Practice

Abstract

We delineate the philological work in the contemporary world based on the editorial practices and the philological criticism that take as object the censored theatrical text, in its material, social and cultural aspects. To illustrate the philological praxis we have carried out, we take Quincas Berro d’Água, a Jorge Amado novel adapted by João Augusto for the theater, considering the materials that form the dossier of the aforementioned play, to outline an editorial proposal that takes into account the dialogue of knowledge in the Philology field and critical, textual, genetic and sociological approaches.

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Published

2018-09-13

Issue

Vol. 31 No. 2 (2018): Philology and Textual Criticism: A Tribute to Ivo Castro

Section

Articles

License

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How to Cite

BORGES, Rosa. Dialogue of Knowledge in the Editorial Philological Praxis. Linha D’Água, São Paulo, v. 31, n. 2, p. 7–27, 2018. DOI: 10.11606/issn.2236-4242.v31i2p7-27. Disponível em: https://www.journals.usp.br/linhadagua/article/view/146404.. Acesso em: 18 may. 2024.