No. 51 (2023): Cecilia Salles: da crítica genética à teoria crítica dos processos de criação

View No. 51 (2023): Cecilia Salles: da crítica genética à teoria crítica dos processos de criação

Editores do dossiê: Wagner Miranda Dias e Patrícia Dourado
Editores responsáveis: Claudia Amigo Pino e Katerina B. Kaspar
Diagramação: Matheus Sanches
Design da capa: Patrícia Dourado. Fotografia por Camila Mangueira
Revisores: Matheus Sanches

 
Published: 2023-12-31

Editorial

  • Cecilia Salles: From genetic criticism to the critical theory of creation processes

    Patrícia Dourado, Wagner Miranda Dias
    1-8
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p1-8

Prelúdio

  • Cecilia Salles in action: reflecting on process documents of a creation theory

    Camila Mangueira Soares
    9-21
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p9-21

Ateliê

  • Mario Bellatin's Dynamic School of Writers - collective creation network in literary writing

    Cristina Paiva
    22-39
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p22-39

  • Translating poetry, or the poetry of translating

    Karen Lemes
    40-51
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p40-51

  • Confluences and resonances of Cecília Salles' Critical Theory of Creation Processes on the trails of literature: report on Encadeamento

    Beatriz Helena Ramos Amaral
    52-67
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p52-67

  • From scraps and networks one makes a romance: Creation in Lima Barreto

    Carmem Negreiros
    68-83
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p68-83

  • We-in-work, in flux, in-corporated

    Kenia Dias
    84-98
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p84-98

  • Cinema, Theater and Covid-19: the Creative Process of “Even Though it is Night”

    Diogo Simão
    99-111
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p99-111

  • The Generator Matrix, the Expanded Embryo, and the Multiple Dramaturgical Threads in Pedro Almodóvar

    Daniela Jaime-Smith
    112-128
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p112-128

  • Creation and subjectivity in the construction process of the artist-subject Maxwell Alexandre

    Mariana Henriques Duarte Carlin
    129-149
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p129-149

  • Research in Art and Process Criticism: contributions to the production of memorials in visual poetics

    Edson Pfutzenreuter, Lais Guaraldo
    150-164
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p150-164

  • Courting Medusa or a Poetic Approach to the Critical Theory of Creative Processes in the Arts

    Elisa Rocha Bueno, Joedy Luciana Barros Marins Bamonte
    165-182
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p165-182

Facsímile

  • “The contemporaneity doesn't scare me”

    Paula Martinelli
    183-189
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p183-189

Incipit

  • The Creation Processes derived from Crônica de Nuremberg and the Loop Quantum Gravitaty (GQL)

    Philippe Leon Marie Willemart
    190-208
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p190-208

  • "To Think the Unthinkable": Translating Meschonnic

    Carmen-Ecaterina Ciobaca
    209-228
    DOI: https://doi.org/10.11606/issn.2596-2477.i51p209-228