Body, destruction and potency in White out, black in

Authors

  • Beatriz Furtado Universidade Federal do Ceará
  • Érico Oliveira de Araújo Lima Universidade Federal Fluminense

DOI:

https://doi.org/10.11606/issn.1982-8160.v10i1p133-147

Keywords:

Cinema, science fiction, body

Abstract

This article discusses two stress fields. The first one regards the place of the body in philosophy from the dialogue with Nietzsche and Foucault. The second one comprehend the field of cinema, in which we propose a dialogue with White out, black in (2014), by Adirley Queirós, a film that shuffles bodies marked by police violence and that finds in the devices of science fiction a line of flight against the refuge of history. Between these two fields in dialogue – the thought of philosophy on the concept of body and the cinematographic work as artifice and strategy to documentary reports on resistance and fabling of the characters –, relations between memory and fiction, true and false arise

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Author Biographies

  • Beatriz Furtado, Universidade Federal do Ceará
    Docente do Programa de Pós-Graduação em Comunicação e da graduação em Cinema e Audiovisual, da Universidade Federal do Ceará. Coordena o Laboratório de Estudos e Experimentações em Audiovisual (LEEA-UFC)
  • Érico Oliveira de Araújo Lima, Universidade Federal Fluminense
    Doutorando do Programa de Pós-Graduação em Comunicação, da Universidade Federal Fliminense e Paris III – Sorbonne Nouvelle

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Published

2016-08-23

Issue

Vol. 10 No. 1 (2016)

Section

Em Pauta/Agenda

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How to Cite

Furtado, B., & Lima, Érico O. de A. (2016). Body, destruction and potency in White out, black in. MATRIZes, 10(1), 133-147. https://doi.org/10.11606/issn.1982-8160.v10i1p133-147