Lucrecia’s step back: discursive disputes between films and TV series
DOI:
https://doi.org/10.11606/issn.1982-8160.v15i2p33-53Keywords:
Serial fiction, Film, Cinema and television, Discursive disputes, Cultural criticismAbstract
This paper intends to analyze the discursive disputes that permeate the comparative debate between films and TV series in the contemporary cultural criticism. We take from the arguments of Argentinean filmmaker Lucrecia Martel against TV series in order to understand, diachronically, the historical tensions between cinema and television and its perpetuity in the current scenario. To do so, we come up here with three dominant axis in the comparative evaluation: espectatorial experience, style and narrative. With this, we aim to discuss the arguments of an aprioristic superiority of film over TV series, without forgetting the distinctive nature of this ongoing symbolic dispute.
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