Topo-logical montages: the images on the capitals and pillars of the cloister of Moissac

Authors

  • Maria Cristina Correia Leandro Pereira Universidade de São Paulo; Faculdade de Filosofia, Letras e Ciências Humanas; Departamento de História

DOI:

https://doi.org/10.11606/issn.2316-9141.v0i165p73-91

Keywords:

Moissac, Images, Montages

Abstract

Based on George Didi-Huberman’s concept of “montage”, developed in his reading of Walter Benjamin and Aby Warburg, this article intends to refute the specialized
bibliography on the cloister of Moissac that denies the existence of a logical order for its capitals. On the contrary, it will be demonstrated that this “place of images” is the
result of several “topo-logical montages”.

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Published

2011-12-30

How to Cite

PEREIRA, Maria Cristina Correia Leandro. Topo-logical montages: the images on the capitals and pillars of the cloister of Moissac. Revista de História, São Paulo, n. 165, p. 73–91, 2011. DOI: 10.11606/issn.2316-9141.v0i165p73-91. Disponível em: https://www.journals.usp.br/revhistoria/article/view/19211.. Acesso em: 25 may. 2024.