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Vol. 5 No. 2 (2019)
Vol. 5 No. 2 (2019)
Published:
2019-12-18
Full Issue
pdf (Portuguese)
Editorial
Vol. 5, n. 2
Marcos Câmara de Castro, Prof. Dr.
7-8
pdf (Portuguese)
Article
Impacts of the so-called "serious music" concept on Brazilian choro
Three case studies
Felipe Siles de Castro
9-33
pdf (Portuguese)
Oh Minas Gerais
Questions about a "mineira" identity of performance
Matheus Barros de Paula
34-58
pdf (Portuguese)
The use of Polyptoton by Manuel Dias de Oliveira
Eliel Almeida Soares, Rubens Russomanno Ricciardi
59-80
pdf (Portuguese)
Brazilian contemporary music for traverso
A look at works by Sérgio Roberto de Oliveira and Luciano Leite Barbosa
Geisa Cerqueira Felipe
81-106
pdf (Portuguese)
Sound and truth: interdisciplinary research in sound and music composition
Paulo César de Amorim Chagas
107-132
pdf (Portuguese)
Appointments about the notation for the viola caipira
André Aparecido de Souza Moraes
133-171
pdf (Portuguese)
"Train noise" song
The bossa-nova canon in the Miltonian music
Fernanda Paulo Marques
172-200
pdf (Portuguese)
Discursive-musical polyphony as a theoretical assumption for understanding the relevance of melody regarding to text in sephardic musical traditions
Migration of meanings between two songs by the eastern jewish songbook
Antonio Celso Ribeiro
201-227
pdf (Portuguese)
Comunication
Professional Post-Graduate in Music
A new (old) way for musical performance in Brazil and its research possibilities
Aloysio Fagerlande
228-240
pdf (Portuguese)
Learning strategies and preparation of musical performance
between routine and experience of creative processes
Vana Bock, Marta Macedo Brietzke, Robert John Suetholz, Mário André Wanderley Oliveira, Fabio Soren Presgrave
241-258
pdf (Portuguese)
Essay
About Beethoven, the silence of Hegel
Lucas Eduardo da Silva Galon
259-287
pdf (Portuguese)
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