Current sculptural art of the Makonde, Mozambique, as a world-view.
DOI :
https://doi.org/10.11606/issn.2448-1750.revmae.1994.109201Mots-clés :
Sculpture - Makonde - Mozambique - Authenticity - Traditional art.Résumé
In this article we discuss the notions of “traditional art” and “authenticity”, terms currentley used in the context of african arts, based on a study of the WaMakonde, Mozambique. The Wa-Makonde, after departing from the dominant pattern of Southern african sculptures, have create a unique sculptural art. At present, they produce two basic types of sculpture, shetani and ujamaa, made from african ebony. We attempt to show that the Wa-Makonde sculptural art, which appeared in the 50’s/60’s, is a plastic re-elaboration of collective experiences, and that it can be seen as a world-view in which ancestral values are update.##plugins.themes.default.displayStats.downloads##
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Publiée
1994-12-19
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Artigos
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(c) Copyright Theophilos Rifiotis 1994
Ce travail est disponible sous licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International.
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RIFIOTIS, Theophilos. Current sculptural art of the Makonde, Mozambique, as a world-view. Revista do Museu de Arqueologia e Etnologia, São Paulo, Brasil, n. 4, p. 153–166, 1994. DOI: 10.11606/issn.2448-1750.revmae.1994.109201. Disponível em: https://www.journals.usp.br/revmae/article/view/109201.. Acesso em: 21 mai. 2024.