Gender performances in umbanda: the pombagira as an Afro–Brazilian interpretation of “woman”?

Autores/as

  • Mariana Leal de Barros
  • José Francisco Francisco Miguel Henriques Bairrão Universidade de São Paulo. Departamento de Psicologia

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i62p126-145

Palabras clave:

Gender, umbanda, performance, pombagira, ethnopsychoanalisis.

Resumen

The pombagira, a female entity in the umbanda pantheon, contest gender stereotypes and offers to the african–brazilian community opportunities to develop the way they understand the “feminine” and the “woman”. Based on an ethnographic study developed at six terreiros in São Paulo State and interviews with female mediums and their own pombagiras, it is argued that, when we hear the field without hanging on to male and female prejudices, what we find is a reconfiguration of the qualities associated with “being a woman”. Data were analyzed through attention to the signifiers repeated in the interviews and in the field interaction and interpreted based on contemporary developments in gender studies.

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Biografía del autor/a

  • Mariana Leal de Barros
    Doutora em Psicologia (FFCLRP–USP), Antropologia (Université Lumière Lyon 2) e pós–doutora em Antropologia (Centro de Estudos de Religiosidades Contemporâneas e das Culturas Negras – Cerne–DA–FFLCH–USP).
  • José Francisco Francisco Miguel Henriques Bairrão, Universidade de São Paulo. Departamento de Psicologia
    É fundador e coordenador do Laboratório de Etnopsicologia do Departamento de Psicologia da Universidade de São Paulo.

Publicado

2015-11-13

Número

Sección

Artigos

Cómo citar

Barros, M. L. de, & Bairrão, J. F. F. M. H. (2015). Gender performances in umbanda: the pombagira as an Afro–Brazilian interpretation of “woman”?. Revista Do Instituto De Estudos Brasileiros, 62, 126-145. https://doi.org/10.11606/issn.2316-901X.v0i62p126-145