Gender performances in umbanda: the pombagira as an Afro–Brazilian interpretation of “woman”?
DOI :
https://doi.org/10.11606/issn.2316-901X.v0i62p126-145Mots-clés :
Gender, umbanda, performance, pombagira, ethnopsychoanalisis.Résumé
The pombagira, a female entity in the umbanda pantheon, contest gender stereotypes and offers to the african–brazilian community opportunities to develop the way they understand the “feminine” and the “woman”. Based on an ethnographic study developed at six terreiros in São Paulo State and interviews with female mediums and their own pombagiras, it is argued that, when we hear the field without hanging on to male and female prejudices, what we find is a reconfiguration of the qualities associated with “being a woman”. Data were analyzed through attention to the signifiers repeated in the interviews and in the field interaction and interpreted based on contemporary developments in gender studies.##plugins.themes.default.displayStats.downloads##
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Publiée
2015-11-13
Numéro
Rubrique
RIEB010
Licence
- Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição CC-BY.
Comment citer
Barros, M. L. de, & Bairrão, J. F. F. M. H. (2015). Gender performances in umbanda: the pombagira as an Afro–Brazilian interpretation of “woman”?. Revista Do Instituto De Estudos Brasileiros, 62, 126-145. https://doi.org/10.11606/issn.2316-901X.v0i62p126-145