Three readers of Dostoevsky: Kulidjanov, Bresson and Scorsese
DOI:
https://doi.org/10.11606/issn.2317-4765.rus.2021.189137Keywords:
Dostoevsky, Kulidzhanov, Bresson, Scorsese, Adaptation, CinemaAbstract
This essay presents a reading of three cinematographic works that, in different ways, brought Fyodor Dostoevsky's fiction to the screen. The films Crime and Punishment (1971), by Liev Kulidjánov, The Pickpocket (1959), by Robert Bresson, and Taxi Driver (1976), by Martin Scorsese, are analyzed and linked to the narratives of Crime and Punishment and Memories from the Underground. In this way, the text aims to explain the close connection that the seventh art maintained/maintains with Dostoevsky's literature.
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