The performance of darkness: analysis on the drama value of the black out in Joël Pommerat’s Cercles/Fictions
DOI:
https://doi.org/10.11606/issn.2238-3867.v15i2p72-92Keywords:
black-out, darkness, Joel Pommerat, Eric Soyer, Cercles/ Fictions.Abstract
Black-out has become, throughout Joël Pommerat’s artistic path, a “figure of speech” that distinctive of the Louis Brouillard company’s performances. This article questions the dramaturgical importance of this process within the scene writing of this French author-director. Focusing on the analysis of Cercles/Fictions (2010), a play that has marked the artist’s work as a first rupture with the frontality of the stage house, this study aims at understanding how the darkness acts on the composition and on the perception of this play, gaining an actual performing nature.
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