“I’m not a fan, but…”: readers and film audiences of Tolkien
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2018.138628Keywords:
cultural consumption, fan studies, narrative receptionAbstract
This article describes reader reception practices among J. R. R. Tolkien fans and their perception of the narratives in the books through their movie adaptations. It’s a qualitative exploratory research with visitors of the 37th International Book Fair of the Palacio de Minería (IBFPM) that points out characteristics of reading among five interviewees and evaluates factors that influence the ways they read and how they define themselves in the face of cultural offerings. We seek to contribute with reflections related to their practices through the connections between these readers, the movies and their interpretive repertoires, and to emphasize the importance of qualitative studies on reader reception.
Downloads
References
BAKER, M.; MATHIJS, E. “Introduction: the world Hobbit project”. Participations, Newcastle, v. 13, n. 2, p. 158-174, 2016.
BOOTH, P. Digital fandom: new media studies. New York: Peter Lang, 2010.
CERTEAU, M. A invenção do cotidiano: artes de fazer. Petrópolis: Vozes, 1994, v. 1.
CONACULTA. Encuesta nacional de lectura y escritura 2015-2018. Ciudad de México, DF: Conaculta, 2015. Disponível em: https://goo.gl/TcbjmY. Acesso em: 23 mar. 2018.
CURI, P. P. “Entre fan arts, fan fictions e fan films: o consumo dos fãs gerando uma nova cultura”. In: ENCONTRO DE ESTUDOS MULTIDISCIPLINARES EM CULTURA, 6., 2010, Salvador. Anais eletrônicos… Salvador: UFBA, 2010, p. 1-15. Disponível em: https://goo.gl/NGQTyi. Acesso em: 23 mar. 2018.
GÓMES LÓPEZ, E. “De la literatura al cine: aproximación a una teoría de la adaptación”. Cuadernos de Filología Alemana, Madrid, p. 245-255, 2010. Anexo 2.
HELLEKSON, K.; BUSSE, K. Fan fiction and fan communities in the age of the internet: new essays. London: McFarland, 2006.
JENKINS, H. Textual poachers: television fans and participatory culture. London: Routledge, 1992.
______. “‘Strangers no more, we sing’: filking and the social construction of the science fiction fan community”. In: LEWIS, L. The adoring audience: fan culture and popular media. London: Routledge, 2002, p. 208-236.
______. Cultura da convergência. São Paulo: Aleph, 2009.
JENSEN, K. La semiotica social de la comunicacion de masas. Barcelona: Bosch, 1997.
INSTITUTO MEXICANO DE LA JUVENTUD. Programa nacional de juventud 2014-2018. Ciudad de México, DF: Gobierno de México. 2014. Disponible en: <https://goo.gl/o3TEuN>. Acesso em: 23 mar. 2018.
LAHIRE, B. O homem plural: os determinantes de ação. Petrópolis: Vozes, 2002.
MARGULIS, M.; URRESTI, M. “La juventud es más que una palabra”. In: MARGULIS, M. (Ed.). La juventud es más que una palabra: ensayos sobre cultura y juventud. Buenos Aires: Biblos, 1996, p. 13-30.
WINOCUR, R. “Prácticas tradicionales y emergentes de lectoescritura en jóvenes universitarios”. In: CANCLINI, N. et al. Hacía una antropología de los lectores. Ciudad de México, DF: Fundación Telefónica; Paidós; Universidad Autónoma Metropolitana, 2015, p. 243-281.
Downloads
Published
Issue
Section
License
Copyright (c) 2018 Maria Clara Sidou Monteiro, Dulce Helena Mazer, Sarah Moralejo da Costa
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal must agree with the following terms:
- Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
- Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.