QUERENÇA: AFRO-BRAZILIAN SCENE CONSTRUCTION
DOI:
https://doi.org/10.11606/issn.2238-3999.v7i1p179-190Keywords:
Afro-brazilian manifestation, Black woman, Religiosity, Theater.Abstract
This article deals with Querença, a scenic experience by the Saramuná Group, inspired by the Afro-Brazilian religion reminiscences present in popular manifestations. This research was developed by the author using as methodology the workshop “Ancestralidade – Matrizes – Cena Afro-brasileira”, with the purpose of questioning the unfolding of the traditional culture related with the arts of the scene, aiming to build a grounded Afro-Brazilian scene, whose structure is based on the understanding of the ancestral memory and its correlations with the religious and the sacred, the performing arts and education. The conclusion is that it is important for the black artist to move the participation and belonging potential that African matrix cultures make possible.Downloads
References
BOAL, A. O arco-íris do desejo: método Boal de teatro e terapia. Rio de Janeiro: Civilização Brasileira, 1996.
______. “Boal Exilado”: entrevista com Augusto Boal. Caros Amigos, São Paulo, v. 4, n. 48, 2001.
FREIRE, P. Pedagogia do oprimido. Rio de Janeiro: Paz e Terra, 1994.
MUNANGA, K.; GOMES, N. L. Para entender o negro no Brasil de hoje: história, realidades, problemas e caminhos. São Paulo: Global, 2004.
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