On authorship in Samuel Beckett’s prose

Authors

  • Willian André Universidade Estadual de Londrina

DOI:

https://doi.org/10.11606/issn.1984-1124.v0i12p5-19

Keywords:

Samuel Beckett, Short Prose, Authorship, Dilution of identity

Abstract

This study aims at building a reflection on the notion of authorship in Samuel Beckett’s work, with a main focus on his short prose from the 60s and 70s. Thereunto, supported by the writings of Maurice Blanchot, S. E. Gontarski, João Adolfo Hansen and Hugh Kenner, we draw a route that starts with the Beckettian post-war trilogy, going through the subsequent productions that culminate in the short pieces outlined by the author after the publishing of How It Is (1961). As we take the path run by the Irish writer in his deal with failure (a path full of mud and light-grey-dark oscillations), we experience the rise of a paradoxical impression: the more severe are Beckett’s attacks against the shapes of the I, testifying the dilution of identity, more accurate become the shapes surrounding the idea of “author” that surmounts the whole of his literary project.

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Author Biography

  • Willian André, Universidade Estadual de Londrina
    Doutorando pelo Programa de Pós-Graduação em Letras: Estudos Literários da Universidade Estadual de Londrina. Bolsista CAPES.

References

BECKETT, Samuel. “Imagination Morte Imaginez”. In: ________. Têtes-mortes. Paris: Les Éditions de Minuit, 1972, pp. 49-57.

BECKETT, Samuel. “All Strange Away”. In: ________. The Complete Short Prose, 1929-1989. Edited and with an Introduction and Notes by S. E. Gontarski. New York: Grove Press, 1995, pp. 169-181.

BECKETT, Samuel. “Faux Départs”. In: ________. The Complete Short Prose, 1929-1989. Edited and with an Introduction and Notes by S. E. Gontarski. New York: Grove Press, 1995b, pp. 271-273.

BECKETT, Samuel. “Imagination Dead Imagine” In: ________. The Complete Short Prose, 1929-1989. Edited and with an Introduction and Notes by S. E. Gontarski. New York: Grove Press, 1995c, pp. 182-185.

BECKETT, Samuel. “neither”. In: ________. The Complete Short Prose, 1929-1989. Edited and with an Introduction and Notes by S. E. Gontarski. New York: Grove Press, 1995d, p. 258.

BECKETT, Samuel. “The Cliff”. Translation: Edith Fournier. In: ________. The Complete Short Prose, 1929-1989. Edited and with an Introduction and Notes by S. E. Gontarski. New York: Grove Press, 1995e, p. 258.

BECKETT, Samuel. “Três diálogos com Georges Duthuit”. In: ANDRADE, Fábio de Souza. Samuel Beckett: o silêncio possível. Cotia, SP: Ateliê Editorial, 2001, pp. 173-182.

BECKETT, Samuel. Como é. Tradução e posfácio: Ana Helena Souza. São Paulo: Iluminuras, 2003.

BECKETT, Samuel. “La Falaise”. In: ________. Pour finir encore et autres foirades. Paris: Les Éditions de Minuit, 2004, pp. 67-69.

BECKETT, Samuel. “ni l’un ni l’autre”. Traduction: Edith Fournier. In: ________. Pour finir encore et autres foirades. Paris: Les Éditions de Minuit, 2004b, pp. 77-79.

BECKETT, Samuel. Molloy. Tradução e prefácio: Ana Helena Souza. São Paulo: Globo, 2007.

BECKETT, Samuel. O inominável. Tradução: Ana Helena Souza. Prefácio: João Adolfo Hansen. São Paulo: Globo, 2009.

BECKETT, Samuel. “Pra frente o pior”. In: ________. Companhia e outros textos. Tradução: Ana Helena Souza. Prefácio: Fábio de Souza Andrade. São Paulo: Globo, 2012, pp. 65-87.

BLANCHOT, Maurice. “Onde agora? Quem agora?”. In: ________. In: O livro por vir. Tradução: Leyla Perrone-Moisés. São Paulo: Martins Fontes, 2005, pp. 308-318.

GONTARSKI, S. E. “From Unabandoned Works: Samuel Beckett’s Short Prose”. In: BECKETT, Samuel. The Complete Short Prose, 1929-1989. Edited and with an Introduction and Notes by S. E. Gontarski. New York: Grove Press, 1995, pp. xi-xxxii.

HANSEN, João Adolfo. “Eu nos faltará sempre”. In: BECKETT, Samuel. O inominável. Tradução: Ana Helena Souza. Prefácio: João Adolfo Hansen. São Paulo: Globo, 2009, p. 7-25.

KENNER, Hugh. Samuel Beckett: A Critical Study. New York: Grove Press, 1961.

Published

2014-06-09

Issue

Section

Articles

How to Cite

André, W. (2014). On authorship in Samuel Beckett’s prose. Revista Criação & Crítica, 12, 5-19. https://doi.org/10.11606/issn.1984-1124.v0i12p5-19