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Vol. 16 No. 1 (2016): Música e Memória
Vol. 16 No. 1 (2016): Música e Memória
Published:
2016-12-25
Full Issue
PDF (Portuguese)
Editorial
Editorial
Jacomien Prins, Monica Lucas
7-8
PDF (Portuguese)
Articles
Muses and Music in the Epistemic Horizons of Ancient Greece
Cynthia Gusmão
9-24
PDF (Portuguese)
Rhetoric and Memory in Ancient Rome
Adriano Scatolin
25-39
PDF (Portuguese)
Memoria, Pronunciatio and the Art of Composingin the Mind
Stefano Lorenzetti
41-67
PDF
The Pathos in Late-Renaissance Music – Nachleben derAntike and the Construction of Memory
Maya Suemi Lemos
69-87
PDF (Portuguese)
About imagination and fantasy
considerations about the ornament
George Rembrandt Gütlich
89-114
PDF (Portuguese)
Marsilio Ficino, Francesco Cavalli and Music as a Remedy for Lovesickness
Jacomien Prins
115-137
PDF (Portuguese)
The relationship between Memory, Affections and Instrumental Music Performance
Stéfano Paschoal
139-160
PDF (Portuguese)
Mensural Elaboration and Motivicity in the Agnus Dei from Missa L’hommeArmé Super Voces Musicales by Josquin Desprez
Carlos C. Iafelice
161-178
PDF (Portuguese)
Musica ficta and recta in Magnum Haereditatis Myste-rium: an Hexachordal Analysis of Willaert ́s Motet
Fernando Luiz Cardoso Pereira
179-196
PDF (Portuguese)
Solmization: Rules for the Naming of Notes Accordng to English Authors in Seventeenth Century
Nathália Domingos
197-204
PDF (Portuguese)
Pronuntiatio in Silvestro Ganassi ́s Works (1492-c.1557)
Giulia da Rocha Tettamanti
205-216
PDF (Portuguese)
The Seventeenth century Venetian opera: Airs on Memory in theRroles of Old Wet Nurses
Ligiana Costa
217-230
PDF (Portuguese)
A suite, its Enta-bulation and the Baroque Lute Poetics: Considerations on the Suite in G minor, BWV 995, by Johann Sebastian Bach
Renato de Carvalho Cardoso
231-240
PDF (Portuguese)
The English Dilettantism: the Violin in British Culture in the 17th Century
Marcus Held
241-249
PDF (Portuguese)
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