Vol. 15 No. 1 (2015)

EDITORIAL

Editorial

Luiz Fernando Ramos, Sílvia Fernandes

1-5
- PDF (Portuguese)

EM PAUTA

Theatre and society in colonial Brazil: the Jesuit scene of Auto de São Lourenço

Sérgio de Carvalho

6-53
- PDF (Portuguese)
Cadaverous dialectics in José de Alencar's Mãe

Ivan Delmanto

54-69
- PDF (Portuguese)
The contribution of case studies and circumstantial research for the history of theater: the lundu that Maria Baderna would have danced in Recife

Maria de Lourdes Rabetti, Adriana Schneider Alcure

70-86
- PDF (Portuguese)
False mirror: parody in the formation of Brazilian theatre

Marta Metzler

71-82
- PDF (Portuguese)
Theatrical regisseurs in the Brazilian scene in the 19th and 20th centuries

Elisabeth R. Azevedo

99-111
- PDF (Portuguese)
Roberto Gomes and the attempts to modernize the Brazilian theater: convergences and disagreements with Maurice Maeterlinck's dramaturgy of the (in)action

Eli Borges Júnior

112-123
- PDF (Portuguese)
Vestido em Panorama: about formation and relativization of a canon of the Brazilian theatrical historiography

Henrique Buarque de Gusmão, Thiago Herzog

124-134
- PDF (Portuguese)
Fernanda Montenegro in O mambembe: the quelque chose of the modern diva

Gustavo Guenzburger

135-155
- PDF (Portuguese)
Thrust and long jump: Boal in New York (1953-1955)

Maria Silvia Betti

156-179
- PDF (Portuguese)
The ambivalence of protest in theater and music in post-1964 Brazil

Paulo Bio Toledo

180-190
- PDF (Portuguese)
Theatre of the Oppressed: historical synthesis of Arena or resistance narrative of the meeting of Augusto Boal with Theatrical Pedagogy?

Dodi Leal

191-202
- PDF (Portuguese)
Caim’s legacy: the Brazilian journey of the Living Theatre (1970-71)

Alessandra Vannucci

203-224
- PDF (Portuguese)
Edited stories: a study on the use of clipping as documental material

Bernardo Fonseca Machado

225-237
- PDF (Portuguese)
Global theatre histories: new perspectives for historiography

Christine Junqueira

238-248
- PDF (Portuguese)
Considerations on História do teatro brasileiro

Edelcio Mostaço

249-264
- PDF (Portuguese)

SALA ABERTA

From canvas to stage: painting, theatre and revolution in Jacques-Louis David’s Brutus

Flavia Giovana Dessoldi

265-275
- PDF (Portuguese)
Melancholy and anthropotechnics in the German scene: Falk Richter and Rodrigo García

Manoel Silvestre Friques

276-287
- PDF (Portuguese)
Group policy: production as a political act

Carina Maria Guimarães Moreira

288-298
- PDF (Portuguese)
Grupo Opinião’s space: dissonant voices about its shutdow at Jornal do Brasil

Maria do Socorro Calixto Marques

299-309
- PDF (Portuguese)

LIVROS/RESENHAS

The Italian mission

Edelcio Mostaço

310-316
- PDF (Portuguese)

O QUE VOCÊ ESTÁ LENDO?

PICON-VALLIN, Béatrice. The Théâtre du Soleil: the first fifty years

Odette Aslan

317-319
- PDF (Portuguese)

Vol. 15 No. 1 (2015)

EDITORIAL

Editorial

EM PAUTA

Theatre and society in colonial Brazil: the Jesuit scene of Auto de São Lourenço

Cadaverous dialectics in José de Alencar's Mãe

The contribution of case studies and circumstantial research for the history of theater: the lundu that Maria Baderna would have danced in Recife

False mirror: parody in the formation of Brazilian theatre

Theatrical regisseurs in the Brazilian scene in the 19th and 20th centuries

Roberto Gomes and the attempts to modernize the Brazilian theater: convergences and disagreements with Maurice Maeterlinck's dramaturgy of the (in)action

Vestido em Panorama: about formation and relativization of a canon of the Brazilian theatrical historiography

Fernanda Montenegro in O mambembe: the quelque chose of the modern diva

Thrust and long jump: Boal in New York (1953-1955)

The ambivalence of protest in theater and music in post-1964 Brazil

Theatre of the Oppressed: historical synthesis of Arena or resistance narrative of the meeting of Augusto Boal with Theatrical Pedagogy?

Caim’s legacy: the Brazilian journey of the Living Theatre (1970-71)

Edited stories: a study on the use of clipping as documental material

Global theatre histories: new perspectives for historiography

Considerations on História do teatro brasileiro

SALA ABERTA

From canvas to stage: painting, theatre and revolution in Jacques-Louis David’s Brutus

Melancholy and anthropotechnics in the German scene: Falk Richter and Rodrigo García

Group policy: production as a political act

Grupo Opinião’s space: dissonant voices about its shutdow at Jornal do Brasil

LIVROS/RESENHAS

The Italian mission

O QUE VOCÊ ESTÁ LENDO?

PICON-VALLIN, Béatrice. The Théâtre du Soleil: the first fifty years

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