Vol. 20 No. 1 (2020)

• Editorial

  Sérgio de Carvalho

  1-3

  • PDF (Portuguese)

Tradução In´édita

• Kantan – The dream pillow by Yukio Mishima a translation proposal

  Kimiko Uchigasaki Pinheiro, Maria da Glória Magalhães dos Reis

  4-31

  • PDF (Portuguese)

TEATRO E POLÍTICA NA FRANÇA

• April 23 letter from Matthias Langhoff to Nicolas Royer, director of Espace des Arts, Scène nationale, Chalon-sur-Saône

  Matthias Langhoff, Nicolas Royer

  55-68

  • PDF (Portuguese)

• L’expérimentation politique

  Olivier Neveux

  32-44

  • PDF (Portuguese)

• 68 + 74 = 2020? What is left of politics in the “political theatre”?

  Olivier Neveux

  45-54

  • PDF (Portuguese)

TRAGÉDIA E MODERNIDADE

• You don’t have to die to see God

  Priscila Saemi Matsunaga

  69-100

  • PDF (Portuguese)

• Tragedy, the destiny of bones policies of ashes and exhumation

  Luiz Paulo Pimentel de Souza

  101-122

  • PDF (Portuguese)

• Fuzuê spirits of the past

  Carina Maria Guimarães Moreira, Rayla Dias

  123-134

  • PDF (Portuguese)

SALA ABERTA

• The performativity in dance

  Karina Almeida, Sayonara Pereira

  173-184

  • PDF (Portuguese)

• Red moon at Lisbon

  José Batista (Zebba) Dal Farra Martins

  135-172

  • PDF (Portuguese)

DEBATES CRÍTICOS

• Profanation acts

  Sílvia Fernandes

  185-197

  • PDF (Portuguese)

• About Stabat Mater conservative mirroring in some forms of contemporary theater

  Paulo Bio Toledo

  198-219

  • PDF (Portuguese)

RESENHAS

• Documentary theatres public sphere and subjecitvity

  Maria Lúcia de Souza Barros Pupo

  220-228

  • PDF (Portuguese)

HOMENAGEM

• Maria Alice Vergueiro: the academic Degree with a teaching diploma in the Performing Arts Department at the School of Communications and Arts at the University of São Paulo

  Ingrid Dormien Koudela

  229-244

  • PDF (Portuguese)