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Vol. 46 No. 52 (2019): Dossiê: História e Audiovisual
Vol. 46 No. 52 (2019): Dossiê: História e Audiovisual
Número referente aos meses de julho a dezembro de 2019
Published:
2019-07-02
Full Issue
PDF (Portuguese)
Presentation
Presentation
Eduardo Victorio Morettin
PDF (Portuguese)
Dossier
The miseries of the needle of the cooperative Cinéma du Peuple
a feminist movie in the early cinema
Luiz Felipe Cezar Mundim
PDF (Portuguese)
PDF
Paulo Emílio and the formation of historical studies of cinema in Europe
Rafael Morato Zanatto
PDF (Portuguese)
PDF
Night on fire, the Brazilian’s 1970s seen by Jean Garrett
Laura Cánepa, Tiago José Monteiro
PDF (Portuguese)
PDF
The independent Brazilian video
political criticism in the producer Olhar Eletrônico
Regilene Sarzi Ribeiro
PDF (Portuguese)
PDF
Cold War and civil liberties, yesterday and today, in Bridge of Spies
Fábio Luciano Francener Pinheiro
PDF (Portuguese)
PDF
Life and the mud
three cinematography seduced by memory
Rogério Luiz Silva Oliveira
PDF (Portuguese)
PDF
Portraits of identification
the image-archive as memory protection
Ricardo Lessa Filho
PDF (Portuguese)
PDF
Articles
A cold shuder walks over all my body
Mário Peixoto in England
Denilson Lopes
PDF (Portuguese)
Cinema and the technological capture of time
Silvia Okumura Hayashi
PDF (Portuguese)
Darkness, resistance and silence in Jean-Pierre Melville’s Le silence de la mer
Waldemar Dalenogare Neto
PDF (Portuguese)
“Ferris Bueller’s Day Off”
postmodern hedonism and the Reagan era’s neoliberal morality
Roney Gusmão
PDF (Portuguese)
Tension in the ethnographic field
the thought of Jorge Prelorán
Javier Campo
PDF (Portuguese)
Screen quota (Law Nº. 12.485/2011) and independent production on Pay TV
Kátia Santos de Morais
PDF (Portuguese)
On the edge of history
analog photography, artists and wrong images
Ludimilla Carvalho Wanderlei
PDF (Portuguese)
The singularity of “Vereda tropical” under a bakthinian approach
Alexandre Silva Guerreiro
PDF (Portuguese)
Enfatizando o processo
documentação e presença na performance audiovisual
Ana Carvalho
PDF
Reviews
Comments on Public spectacles of violence: sensational cinema and journalism in early twentieth-century Mexico and Brazil, by Rielle Navitski
Carolina Azevedo Di Giacomo
PDF (Portuguese)
Uruguay films itself
practicing documentary, practicing history (1920-1990)
Isadora Remundini
PDF (Portuguese)
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